DA
Living on the road my friend, is gonna keep you free and clean
G
Now you wear your skin like iron,
DA
Your breath as hard as kerosene.
GDG
You weren't your mama's only boy, but her favorite one it seems
DGDA
She began to cry when you said goodbye,
GBmDm
And sank into your dreams.
DA
Pancho was a bandit boy, his horse was fast as polished steel
G
He wore his gun outside his pants
DA
For all the honest world to feel.
GDG
Pancho met his match you know on the deserts down in Mexico
DGDAGBmGm
Nobody heard his dying words, ah but that's the way it goes.
GDG
All the Federales say they could have had him any day
DGDAGBm
They only let him slip away out of kindness, I suppose.
BADDA
Lefty, he can't sing the blues all night long like he used to.
GDA
The dust that Pancho bit down south ended up in Lefty's mouth
GDG
The day they laid poor Pancho low, Lefty split for Ohio
DGDAGBm
Where he got the bread to go, there ain't nobody knows
BAGGDG
All the Federales say they could have had him any day
DGDAGBmDm
They only let him slip away out of kindness, I suppose.
DA
The boys tell how Pancho fell, and Lefty's living in cheap hotels
G
The desert's quiet, Cleveland's cold,
DA
And so the story ends we're told
GDG
Pancho needs your prayers it's true, but save a few for Lefty too
DGDAGBm
He only did what he had to do, and now he's growing old
BAGGDG
All the Federales say they could have had him any day
DGDAGBm
They only let him slip away out of kindness, I suppose.
BAGGDG
A few gray Federales say they could have had him any day
DGDAGDD
They only let him slip away out of kindness, I suppose.
notes on playing:
DGDA
She began to cry when you said goodbye,
Try playing the G D A as:
GDA
|-s-3--2----
|-s-3--3---2
|-s-4--2---2
|----------2
|-----------
|-----------
GBmDm
And sank into your dreams.
and
GBmGm
ah but that's the way it goes.
The transitions at the ends of these lines are similar. Play the Bm like:
Bm
|---2-------
|---3------- And then walk the bass line up or down the 5th string
|---4------- to make the change to the final D or G. It's a quick
|---4------- transition.
|---2-------
|-----------
BADBAG
|---2------2 |---2------3
|---3------3 |---3------0
|---4------2 |---4------0
|---4------- |---4------0
|---2---4--- |---2---0--2
|----------- |----------3
And throughout the song, as you strum or pick your way merrily along,
try to keep an alternating bass line going, it gives the song a lot
of it's character.
Submitted by John Kearney (jk13@aol.com)